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79 pages 2 hours read

Zadie Smith

White Teeth

Fiction | Novel | Adult | Published in 2000

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Part 1, Chapters 1-3Chapter Summaries & Analyses

Part 1: “Archie 1974, 1945”

Chapter 1 Summary: “The Peculiar Second Marriage of Archie Jones”

On New Year’s Day, 1975, a 47-year-old man named Archie Jones tries to kill himself via carbon monoxide poisoning. However, Archie is parked in the delivery area of a halal butcher’s shop. When the owner learns what Archie is doing, he insists that he leave since they “aren’t licensed for suicides around here” (6). Archie, who decided to kill himself based on a coin flip, drives away, elated to be alive.

This marks the “first time since [Archie’s] birth [that] Life had said Yes to [him]” (6). The immediate cause of his suicide attempt was the end of a loveless, 30-year marriage to an Italian woman named Ophelia Diagilo; in fact, the vacuum tube he used in his attempt was reclaimed from his ex-wife’s house. A few days earlier, Archie had seen his fellow WWII veteran Samad Iqbal, and Samad—recently married to a 20-year-old woman named Alsana—suggested that Archie remarry. However, Archie remained convinced that “The End was unavoidably nigh” (9), partially for a reason that occur to him in flashback during his suicide attempt: Archie has led an unremarkable life.

Archie eventually finds himself outside a house advertising the “‘END OF THE WORLD’ PARTY, 1975” (16) and asks to be let in. Although he is much older than all the other partiers, he quickly makes several friends only to fall out with them over his military service. Just when Archie is wondering whether “there will always be men who say the right thing at the right time, who step forward like Thespis at just the right moment of history, and then there will be men like Archie Jones, who are just there to make up the numbers” (19), he sees a beautiful woman coming down the stairs. The woman—a 19-year-old Jamaican immigrant named Clara Bowden—notices that Archie looks depressed and chats briefly with him. Archie is instantly smitten, and the couple marries six weeks later.

Chapter 2 Summary: “Teething Trouble”

Clara’s reasons for marrying Archie can be traced back to an earlier relationship: “Just as a good historian need recognize Hitler’s Napoleonic ambitions in the east in order to comprehend his reluctance to invade the British in the west, so Ryan Topps is essential to any understanding of why Clara did what she did” (23). Clara’s race, Jehovah’s Witness upbringing, and buckteeth made her unpopular at school, and she developed an interest in Ryan largely because he was unattractive, awkward, and as much of an outcast as she was.

For some time, Clara’s interest remained a fantasy. Her mother, Hortense, was a devout Jehovah’s Witness and forced Clara to spend her free time proselytizing. However, while knocking on doors one day, Clara came face to face with Ryan, who invited her inside. The two began dating, with Clara tolerating Ryan’s self-absorption and obsessive interest in scooters. It was through Ryan that Clara met the other attendees of the End of the World Party and “discovered dope, forgot the staircase [to heaven], and began taking the elevator” (33).

One day, Clara came home to find Ryan talking to her mother. These conversations continued, and Ryan began to change, “[shedding] his turtleneck, [avoiding] her in school, [buying] a tie” (34). Eventually, it became clear that Hortense had successfully converted Ryan, and Ryan tried to bring Clara back into the church.

One month before New Year’s, Ryan met Clara after school. She dismissed his warnings about damnation and demanded that he take her home. The two continued to argue as they got on Ryan’s scooter, and he crashed it into a tree, knocking out Clara’s front teeth.

The couple went their separate ways, and Clara—inspired by her mother’s belief that the world would end on New Year’s, 1975—came up with the idea of a mock “end of the world” party. Once there, however, Clara found herself “falling into a melancholy. For ridding oneself of faith is like boiling seawater to retrieve the salt—something is gained but something is lost” (37). Therefore, when she saw Archie, she latched onto him as “the last man on earth” (38).  

Chapter 3 Summary: “Two Families”

Hortense disowned Clara after discovering her relationship with Archie, and the couple marries, moving into a house in Lambeth. Clara is generally content with her new life, despite Archie’s shortcomings and his tendency to spend more time with Samad than with her: “No white knight, then, this Archibald Jones. No aims, no hopes, no ambitions. A man whose greatest pleasures were English breakfasts and DIY. A dull man. An old man. And yet…good. He was a good man” (41). The wedding itself had been a civil ceremony attended only by Samad and his wife Alsana, although Archie’s one-time Olympic rival, Horst Ibelgaufts, sent him a letter that seemed to refer to his recent marriage.

Roughly three months after the wedding, the Iqbals are scheduled to come to dinner, and Archie and Clara get into an argument about tidying up. Clara admits she is worried about cooking for the Iqbals, and Archie assures her that “they’re not those kind of Indians” (46).

Samad and Alsana are, in fact, Bangladeshi. Samad works as a waiter in his cousin Ardashir’s Indian restaurant—a job he considers beneath him. Alsana, who is pregnant, works as a seamstress and is unhappy about their recent move to the Joneses’ neighborhood. She accuses Samad of buying a house he cannot afford just to be closer to Archie. When Samad fails to secure a raise, the couple has a fight that culminates in Samad complaining that Alsana never cooks and Alsana punching her husband before storming out of the house wearing nothing but a coat.

Alsana walks to the cobbler where her niece Neena works. She squabbles with Neena—whom she refers to as “Niece-of-Shame” (52)—and picks up a pair of Samad’s shoes that needed repairing. Rather than taking the shoes home, she puts them on and wanders up the street where the Joneses live. Clara is outside and greets Alsana, mentioning the dinner scheduled for that evening—something Samad had not told Alsana about. Clara, in turn, is surprised to learn Alsana is pregnant, and the women wonder whether “[T]heir husbands told each other everything [and] [t]hat it was they themselves who were kept in the dark” (55).

Part 1, Chapters 1-3 Analysis

Given how deeply concerned White Teeth is with multiculturalism and the immigrant experience, it may seem surprising that the novel begins with Archie Jones. Archie is a white man, but more than that, he is a character who represents the idea of an average Englishman. As he himself notes while talking to Samad, his family name is almost as generic as it can possibly be: “‘I’m a Jones, you see. ‘Slike a ‘Smith’” (84). Archie’s personal history, from his “dead-end-job” to his total “inability to improve” his cycling times (12, 13), underscores this sense of his averageness. In the run-up to his suicide attempt, Archie feels that “a special effort of predestination had ensured his life had been picked out for him like a company Christmas present—early, and the same as everyone else’s” (12).

Of course, Archie’s attempted suicide to some extent challenges the idea that his life is any less complicated than anyone else’s. Although he doesn’t experience the same strife as characters like Clara or Samad, who struggle to reconcile their cultural heritage with life in England, it’s precisely the fact that Archie is “the same as everyone else” that drives him to despair. Presumably, part of what attracts Archie to Samad and Clara is the fact that they are not like him.

All that said, Archie’s story is not entirely dissimilar to the stories that follow—in fact, it lays the groundwork for them in important ways. One clear example is White Teeth’s treatment of themes like fate, chance, and personal responsibility. Archie is extremely indecisive, to the point that his decision to kill himself was based on a coin flip (a method of decision-making he will resort to throughout the rest of the novel). Even then, Archie is so incapable of definitive action that he puts off killing himself—an action the narrator describes as “the decision not to do, to un-do” (9). The reasons for Archie’s indecisiveness will become clearer in the flashback to his service in WWII, but it generally centers on the overwhelming moral responsibility action entails. Choices have consequences, but it is often impossible to predict what those consequences will be. Questions about how to act in a complex and unpredictable world, and to what extent free will is possible, will constitute a major theme throughout White Teeth.

For characters like Clara, these questions are closely intertwined with another theme: the role of history and heritage in determining personal identity. The parallel Smith draws between understanding Clara’s motivations in marrying Archie and understanding Hitler’s “reluctance to invade the British” is partly tongue-in-cheek but does point to the weight of personal history in White Teeth. The root canal chapters in particular treat characters’ backstories with a historian-like perspective, seeking to explain who characters are in terms of where they came from. In Clara’s case, this means explaining her determination to completely break away from her past and her religious upbringing. Her rejection of the Jehovah’s Witnesses is the first major example of the way in which Smith uses teeth to symbolize people and their relationship to the past (i.e. the tooth’s roots). The moment Clara definitively turns her back on her mother’s religion is also the moment she loses her front teeth. Even then, the break is not as total as Clara would like: “By February 1975, Clara had deserted the church and all its biblical literalism for Archibald Jones, but she was not yet the kind of carefree atheist who could laugh near altars or entirely dismiss the teachings of St. Paul” (39). In fact, she never entirely rids herself of these nagging concerns, underscoring how powerful history is in the novel.

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