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82 pages 2 hours read

Nnedi Okorafor

Who Fears Death

Fiction | Novel | Adult | Published in 2010

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Character Analysis

Onyesonwu

Onyesonwu, or Onye, is the protagonist of the novel. Onye is what is known as an Ewu, or the child of a Nuru and an Okeke. Ewu children are believed to be evil, as they are thought to be the product of violence: because Okeke are slaves, it is assumed that an Ewu child must be the product of rape. As a result, Ewu are looked down upon at best, as they are in Jwahir, and at worst, the victims of horrific violence.

Because of this, Onye spent the first six years of her life living with her mother as a nomad in the desert. Even after settling in Jwahir, Onye led a lonely life and was looked down on by everyone except a few people, including the girls with whom she underwent the Eleventh Rites, or female circumcision. She keeps to herself and learns early on to both be wary of those around her and apathetic to what they say, at least as far as she is able. However, she is also proud, stubborn, and quick to anger, and so she often responds rather than ignoring the taunts and insults, sometimes even violently.

Onye discovers early that she is also Eshu, meaning that she is able to transform into other animals and mythical creatures (although she only discovers the latter when she is older). After she undergoes her Eleventh Rite, her biological father hunts her. As she slowly realizes she has magical abilities, she seeks out Aro, a sorcerer, in order to learn the Mystic Points and become a sorcerer herself so she can defend herself; at first he refuses, but after she brings her adoptive father back to life at his funeral, he finally agrees to take her on as a student.

Onye, in even just her brief training, becomes a powerful, if wild, sorcerer, and further discovers that she is at the center of a prophecy that will end the bloodshed between the Nuru and the Okeke. Despite knowing she will die at the end of the journey, she takes off with her partner and her friends to go back West, to Nuru land, to confront her biological father and rewrite the Great Book. She succeeds, and in the rewriting, also manages to rewrite her own death; the novel ends with her, in an altered form, traveling to find Mwita.

Mwita

Mwita is the only other Ewu in Jwahir, a student of Aro’s, and eventually, Onye’s partner. Unlike Onye, Mwita’s parents were in love; however, they were killed after the villagers discovered their relationship. Mwita comes under the tutelage of a powerful, but cruel, local Nuru sorcerer; this sorcerer, Daib, turns out to be the biological father of Onye. He eventually escapes, but equally cruel Okeke rebels conscript child soldiers and catch him. He fakes his death to escape once more, then makes his way east, eventually finding and settling in Jwahir.

Like Onye, Mwita has magical abilities and comes under the tutelage of Aro, and even begins teaching Onye informally before Aro finally agrees to take her on as a student. However, unlike Onye, Mwita does not pass initiation, and therefore cannot be taught the Mystic Points. He instead becomes a gifted healer; although he loves Onye deeply, he remains bitter and resentful that she becomes a sorcerer while he failed to do so.

Mwita is in many ways a foil to Onye: while she is quick to act, he is often more cautious and works to calm her in times of anger. He is also more concerned with pushing back against the stereotype that Ewu are naturally violent; often, he argues against Onye using violence so that they can show people that Ewu can be peaceful. Mwita often also struggles with his more traditional beliefs regarding gender roles, and part of him seems to resent Onye’s ability to train as a sorcerer because he believes men should be sorcerers, while women should be healers, and their roles are reversed; however, he also pushes back against those beliefs, and ultimately works hard to support Onye, ultimately dying for her.

Binta, Diti, Luyu, and Fanasi

Binta, Diti, and Luyu are Onye’s closest friends in the town of Jwahir. In Jwahir, female circumcision is optional, and the four of them are the only girls to choose to partake in their Eleventh Rite. As such, they bond together and remain particularly close as they grow older; when Onye decides to go west to confront her father and end the violence, they insist that they must come with her to help.

Binta is the quietest of the group. She chose to take part in the Eleventh Rite because part of the process is to apply juju, or minor magic, in order to make sexual intercourse extremely painful for the girl until she is married, in theory keeping her a virgin; Binta’s father molests her, so she believes the Rite will prevent him from continuing to do so. It does for a while, both because of the pain and because the village elders confront him afterward, but he eventually resumes. As a result, Binta needs to leave Jwahir, and she poisons him when she does. While en route, Binta manages to taste freedom in some of the towns they stay in; however, when they encounter a particularly hostile town, Binta dies protecting Onye, who gets vengeance by blinding the entire town.

Luyu is something of an anti-authoritarian wild child prior to the Eleventh Rite; to Onye’s shock, she admits to the elders that she has already had intercourse numerous times. Luyu enjoys her freedom, as well, once they are on the road and especially after Onye has removed the juju. However, she grows and remains fiercely loyal to Onye—she, too, dies protecting Onye from oncoming soldiers as Onye is rewriting the Great Book at the end.

Diti is more temperate than the others. She and Fanasi are childhood sweethearts, and though they split for a while after the Rite makes it impossible for them to be together, they eventually get back together and become engaged to one another. As a result of their marriage—and after Onye shows him the violence and carnage happening out West—Fanasi agrees to come along with them. Things become very tense between he and Diti, though, and after the juju is broken and Diti still won’t sleep with him, he and Luyu have an affair, leading to he and Diti divorcing. Once the group reaches Ssolu, though, and both Luyu and Diti have their fun with the Vah men, he and Diti ultimately decide they don’t want to risk death and take an opportunity to sneak out and try to head back to Jwahir; the novel ends without confirming their fate.

Najeeba

Najeeba is Onye’s mother. She is Holding Conversation—on a prayer retreat—when the Nuru attack the women; she is singled out by Daib, who sings as he rapes her. Afterward, she initially wants to stay in the desert until she dies; however, she decides to live for Onye and returns to town. Her husband at the time rejects her once he discovers she was raped, so she packs her things and lives in the desert with Onye until they find and settle in Jwahir, which she believes is far enough east that she and Onye may escape violence, if not hostility.

Najeeba is a quiet, doting mother, and though she cares for and loves Onye very much, she does not tell Onye much about her life. It is only once Onye is gone that she discovers her mother is also endowed with magical abilities—in fact, this is why Daib sought her out—including the ability to go alu, or travel internally to distant places. She uses this ability to act as an advance scout and messenger for Onye and the others, telling everyone she encounters about the great Onyesonwu who will come and end the violence between Nuru and Okeke. After Onye leaves, she also begins training with Aro, who was already aware of her abilities and had spoken at length with the Ada about her. As the novel ends, Najeeba, along with Sola and Aro, watches Onye head east to the forest to find Mwita.

Fadil

Fadil is Onye’s adoptive father in Jwahir. He is the town blacksmith, and while Onye is still very young and new in town, she comes across his shop and talks to him for a while—he was the first person who didn’t treat her any differently than anyone else, and they develop a friendship, secret from her mother. Eventually he asks to meet Najeeba, and soon they are married. They have a loving marriage and a loving household for many years until he grows sick and passes away while Onye is a teenager.

Daib

Daib is Onye’s biological father and Mwita’s metaphorical one, as he was Mwita’s first teacher in the magical arts. Daib is a Nuru man who hates Okeke with a passion; he is incredibly cruel and violent, and additionally an extremely powerful sorcerer. He is sadistic, enjoying his violence and cruelty, and has a habit of recording his acts so that he can watch and remember them later—for example, he records his rape of Najeeba, which Onye watches after she disposes of him. In the West, he is known as the General, and his goal is to wipe out all Okeke; he almost achieves this in the West in part by using his powers to effectively brainwash the Nuru. In the final confrontation, Mwita uses Nsibidi writing to stop Daib, allowing Onye to finish her mission and rewrite the Great Book. Though Onye sets Daib’s headquarters on fire as he lay dying, Daib manages to change into a bat and escape; however, we learn at the end of the novel that Daib is extremely disfigured, and that he is now unable to practice the Mystic Points without experiencing unbearable pain.

Aro

Aro is an elder of Jwahir and a powerful, though bigoted and misogynistic, sorcerer. He initially refuses, several times, to take Onye on as a student both because she is a woman and because she is Ewu. Onye eventually snaps out of desperation and nearly kills Aro in the wilderness; shortly thereafter, after seeing Onye nearly bring Fadil back to life, he finally agrees to take her on as a student and train her in the Mystic Points (once she begins training, Onye learns that Aro had been keeping Daib at bay up until that point). After Onye leaves, Aro takes her mother on as a student, and he is continuing to train her at the end of the novel.

Sola

Sola is an extremely old and powerful sorcerer; he is also extremely light skinned, and even described as being white by Onye, who thinks that he must not be human. When students undergo initiation, they meet with Sola, who reads them and puts them through the test; however, he does not personally decide who passes initiation. He, too, is cranky and overly traditional—he chastises Onye for being close to her period when she meets with him, and Ting tells Onye later that Sola was dismissive of her when she first came, as well. He was also the first teacher of Daib, though he regrets what Daib has become.

Ssaiku and Ting

Ssaiku and Ting are the sorcerers of Ssolu, the traveling city of the Vah, also known as the Red People. Ssaiku finds Onye at the request of Sola in order to guide her through a necessary part of her training, and it is while with the Vah that Onye is effectively destroyed and remade by a Creator, allowing her to become far more powerful than she had been previously. Ting is Ssaiku’s apprentice and a master of magical languages, such as Nsibidi; when Daib marks Onye with a poisonous Nsibidi symbol, it is Ting who counters the symbol and destroys it to save Onye’s life. Ting’s relationship with Ssaiku is similar to Onye’s with Aro: both Ting and Onye are younger, female sorcerers who aren’t afraid to take their due and push back against the conservatism of the older Ssaiku and Aro.

The Red People

The Vah, or the Red People, are a nomadic group of people who travel the desert protected—and hidden—by a massive sandstorm, maintained by Ssaiku. They are believed by most to be mythical; however, the group discovers otherwise when Ssaiku seeks out Onye to help her complete her training. The Vah serve as a counter to Nuru and Okeke societies: instead of being afraid of magic, the Vah all practice minor forms of juju; moreover, they are a very open and friendly people who accept everyone, including Onye and Mwita, for who they are, rather than rejecting them for being Ewu. However, the novel does not valorize Vah society, either: as Sola points out, the Vah avoid the violence and troubles of Nuru and Okeke societies effectively by hiding from it; they may be peaceful, but in a way, they nevertheless contribute to the violence by avoiding it (much as Onye argues about Okeke society in the East).

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