62 pages • 2 hours read
Kristin HannahA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The next day, Meredith and Nina discuss the new developments in the fairy tale and make more connections between the story and real life. Meredith also tells Nina about the professor’s letter from Alaska. From their research, the sisters learn about the Great Purge in Leningrad when Stalin tried to eliminate any potential threat to his power. This makes them realize that the fairy tale is a story within a story.
After work, Meredith returns to Belye Nochi, as obsessed with the fairy tale as Nina. She continues going through Evan’s office. She then takes the professor’s letter and uses it to call the university to find him. Meredith learns that Vasily retired 12 years ago and reaches a dead end. Nina enters the room, and the sisters discuss the possibility of their mother being Vera from the story because of her connection to Leningrad. They also discuss having a sibling they don’t know about.
At dinner, Anya announces she’s too tired for storytelling tonight, so Meredith goes home, and Nina returns to the study to research. Through more research, Nina learns that Vera is real and that her name is on a file in the office. She’s unable to make a firm connection between Anya and Vera, but she knows Vasily will know the relationship.
Meredith goes to work the next day but can only think about the fairy tale. She researches more and discovers that Vasily is in a nursing home in Juneau after a stroke. Meredith then talks to Daisy, a longtime worker at the orchard, and learns that Anya was very sick when she married Evan and came to America, taking over a year to recover. Meredith leaves work and goes to Belye Nochi. Anya is in the kitchen making bread. Nina is out running errands, so Meredith goes to her mother’s closet and searches for clues. She tries on a blue cashmere coat and discovers a picture of two young children sewn into the pocket lining.
Nina returns home and finds Meredith in the closet. Meredith shows her sister the picture, and they puzzle over who the children might be. Over dinner, Nina tells Anya and Meredith that she bought tickets for all of them on an Alaskan cruise.
The next morning, Danny arrives at Belye Nochi. He tells Nina that CNN has offered him a job hosting his own show and asks her to marry him. Nina responds by asking for more time. As Meredith packs for the trip, her excitement grows. She drives to Jeff’s office to remind him that she’s leaving tomorrow. He kisses her goodbye and tells her he hopes she finds what she’s looking for.
Anya, Nina, and Meredith board the cruise ship the following day. Nina and Meredith go to the ship’s bow for cocktails while Anya goes to her room. Nina tells Meredith about Danny’s proposal, and Meredith tells Nina that she admires her sister’s passion. After dinner, Nina and Meredith follow their mother to her stateroom. Nina shows her the picture of the two children, and Anya confirms that the story isn’t just a fairy tale but asks to tell the story the only way she can. For the first time, Anya begins the story with the lights on.
Vera and Sasha marry and have their first child, a daughter whom they name Anastasia but call Anya. Vera gives birth to Leo the next year and is very happy despite their meager circumstances. Vera still works at the library while Sasha attends university. One day, when Vera is 22, she takes four-year-old Leo and five-year-old Anya to pick vegetables from their small plot of land outside the city. When they return home in the late afternoon, people crowd the streets, and a speaker announces that Germany has attacked the Soviet Union.
Vera returns to the apartment and finds Mama and Olga taping newspaper to the windows. Mama takes Vera and Olga with her to get their money out of the bank and buy everything they can from the grocery store. However, the bank is closed, and the store’s shelves are almost empty. They buy a few things and go back to their apartment. Vera begins to worry because Sasha isn’t home yet, but he arrives at 8:00 pm.
Two nights later, Vera and her family wake to gunfire. They gather some food and head into the street with their neighbors. The gunfire comes from the Soviet antiaircraft guns as they practice for the coming attack. Sasha tells Vera he has joined the People’s Volunteer Army. She makes him promise he’ll return to her, though she knows it’s pointless. The next morning, Vera takes their wedding photo, folds it, and places it in Sasha’s coat pocket. The couple says goodbye, and Sasha leaves.
Leningrad’s appearance changes as the army camouflages its statues and bright buildings. On her way home from work one day, Vera goes to the bank and withdraws 200 rubles. She then stands in line to buy bread and cheese, grateful there is anything left with food so scarce. Vera returns to the apartment; Olga arrives and says the city is evacuating the children. On the morning of the evacuation, Vera feels she can’t send her babies away and go on with life like usual. She talks to Mama, who tells her she must send her children away, having complete faith in Stalin’s ability to keep them safe.
Vera tells Leo and Anya they’re going for a walk. Olga, Mama, and Vera’s grandmother say goodbye to the children, trying to hide their sadness. Vera then takes her children to a building crowded with people and tells them they’re going on a trip. She hands them a suitcase with clothes and food and explains that she must stay behind but will be there when they return. The children become upset, but Vera asks them to be strong and stay together.
Vera and her children stand in line for five hours; then, the children are processed, sorted, and moved to other lines. The train arrives in the late afternoon. Vera hugs her children and watches them disappear into the crowd. She stands as if she is frozen, but then forces her way toward the train when she realizes she didn’t tell her children she loves them. She tells the attendant she’s a nonessential worker, so the attendant allows her to board. When Vera finds Leo and Anya, she sits with them, too overwhelmed to speak.
The train departs and travels south for a few hours. Suddenly, the train blows its horn and begins slowing down. Gunfire erupts outside the train, and planes start dropping bombs. Vera grabs her children and runs off the train to a nearby barn with the other passengers. She decides to leave the barn, so she takes her children, along with another woman and her children, and leaves the barn. Vera and the woman estimate they’re about 90 kilometers south of Leningrad and begin walking. They make it back to the apartment, but the experience causes Vera to volunteer for the work crews trying to stop the Germans. Mama agrees to watch Leo and Anya so Vera can do her part to help.
Anya stops the story, and Meredith says she doesn’t look as tired tonight. Anya says it’s because she has stopped fighting her promise to Evan to tell their daughters the whole story. Meredith and Nina return to their room and decide the children in the picture must be Anya and Leo.
The ship reaches Alaska’s Inside Passage the next day, and Nina takes some early-morning pictures of the frigid landscape. She then sits in a chair on the ship’s deck. Meredith joins her, and Nina says she found the address to the nursing home in Juneau where Vasily is recovering from his stroke. The ship will be in Juneau in three days, so the sisters discuss how they’ll talk to the professor. Anya suddenly appears and says they’ll see him. Nina apologizes for hiding the truth behind the trip, but Anya understands and says tomorrow is her 81st birthday. Anya then says they’ll all see the professor but warns her daughters that they’ll be sorry they brought all of this up.
In Ketchikan, the three women watch a man carving a totem pole. They then sit in a diner and discuss what would be on their family’s totem. The waitress brings a piece of cake with a candle for Anya, and her daughters wish her a happy birthday. Anya tells them that she couldn’t look at them in the past because she was ashamed of her mistakes. She also admits that her real name is Vera but refuses to say more.
One important element of this section is the shift away from Anya presenting her story as a fairy tale and into a true account of Vera’s life and personal experience, signaling an important turning point in her process of Overcoming Grief and Loss. In Chapter 18, Anya begins her story as she usually does, but this time, she mentions Stalin by name instead of referring to him as the “Black Knight,” and refers to his secret police coming in black vans instead of black carriages. She also names Leningrad as the story’s setting rather than the Snow Kingdom and refers to the citizens’ responsibility to be good Soviets and join the Red Army. All these elements—and the fact that Anya can now tell the story in the light—demonstrate that Anya clearly refers to Vera’s experience during the Great Purge and the Siege of Leningrad. Most importantly, by the end of Chapter 20, Anya admits that she is Vera. She doesn’t disclose why she changed her name, but she at least confirms her daughters’ suspicions that the story is about her and her experience in Russia.
This section also provides significant character development for the three protagonists. Until now, Meredith has lost her identity because she lives only to serve and cater to others, disregarding her desires and dreams. When Nina pointedly asks what Meredith wants, Meredith ponders this question repeatedly because she doesn’t know. Over time, she begins to find herself. For example, going on the cruise to Alaska illustrates her desire to see this area of the United States and how her wishes have always been secondary to her family’s. Likewise, when Nina asks Meredith if she’d marry Jeff again, Meredith realizes that, yes, she would marry her husband if she had the chance to start over. This realization illustrates that Meredith is beginning to find herself after she spent many years prioritizing others.
Anya is also changing and softening toward her daughters, reflecting Conflict and Redemption Within Women’s Relationships. One example of this is when Anya willingly goes on the cruise to Alaska, thus fulfilling a promise Evan had once made. Once on the cruise, Anya is still somewhat distant but shows moments of kindness and love. Meredith sees one of these moments when Anya thanks and smiles at a restaurant hostess, two things she rarely does. Anya’s greatest changes occur in how she relates to her daughters, especially regarding the fairy tale. The peace she finds in telling her story allows her to admit her true identity as Vera, and it also allows her to disclose that she doesn’t look at her daughters out of shame for her mistakes. Although Nina and Meredith don’t understand what Anya is referring to yet, Anya’s willingness to admit and explain this fault foreshadows that the next section will answer all of their questions regarding who Anya is and what happened to Leo and Anya.
By contrast, Nina doesn’t develop as much as her mother and sister but does show some shifts in her personality. She is still fiercely independent, demonstrated by her request for more time when Danny asks her to marry him. Like Meredith, Nina is still trying to discover herself and doesn’t see herself as a wife. However, Nina is beginning to understand the value of family and regrets her time away from Belye Nochi to escape her mother’s coldness. She uses her strengths as a journalist to encourage Anya to tell her story and then uses those skills to uncover the truth behind the fairy tale. While Nina is still hesitant to make a deeper emotional connection with her boyfriend, she is strengthening her relationship with Meredith and Anya.
Finally, this section develops the novel’s theme of The Links Between Family and Identity. As Anya becomes more open with Meredith and Nina about her experience in Russia, she also realizes that her daughters will have even more questions about who she is and what she’s gone through. Meredith and Nina admit to having a lot of questions and tell Anya that her experience impacts who they are. Anya’s experience will also explain why she has been so distant and cold as a mother, which will help Meredith and Nina heal from that trauma. Furthermore, Meredith and Nina believe that not knowing their mother well prevents them from knowing what they want in their own lives: Both women are at critical junctures with the men they love. Meredith is separated from Jeff and doesn’t know how she feels about him or their marriage. Likewise, Nina loves Danny but can’t commit to being anything more than long-distance lovers. They believe that understanding Anya and how her experience in Russia changed her will help them better understand themselves, which will help them know how to navigate these difficult situations and find true and lasting happiness.
By Kristin Hannah